His skills as an artist were already apparent at school and he was encouraged to study art at University however, Arlott did not fancy four more years of schooling and instead embarked on a five-year engineering apprenticeship.Īlready interested in birds - both for watching and egg collecting - his big chance came after he met bird photographer Eric Hosking. In a biographical sketch, Arlott once said that he became an illustrator by luck by being "the right person in the right place at the right time". Working mostly in watercolour, his work has been widely exhibited in the UK and USA.īorn Norman Arthur Arlott in Reading, Berkshire, on 15 November 1947 and educated at Storeham Boys School. Norman Arlott is one of the world's leading wildlife illustrators and has spent most of his career specialising in the depiction of birds.
#Taarna the tarakian original art tv
Some brief-run strips in Countdown led to him drawing 'Cannon' for TV Action and TV Comic before he was hired by Look-In, where, after briefly drawing 'Follyfoot', he had his first big hit with 'Kung Fu'. At the same time, he also found work on Joe 90: Top Secret, soon to merged with TV21, where he drew 'Forward from the Back Streets' and 'Tarzan'. With the launch of Wizard in 1970 he graduated onto boys' adventure strips, drawing 'Soldiers of the Jet Age', 'The Crimson Claw', 'The Secret of Deep 16' and others for the paper. Married in 1969, he decided to go freelance and found work drawing for D. Back in England he designed cards for Hallmark, rising to become their chief designer. Apart from illustrating a story for a comic book giveaway, his first illustrative work included the sheet music for Ron Grainer's The Maigret Theme and painting cardboard cut-outs for use on TV.Īn advert in an magazine led him to apply for a job as an assistant for "an international cartoonist" this was on 'Flash Gordon' and Asbury moved to Austria for six months before clashes with Dan Barry led to his departure. Influenced by Burne Hogarth's 'Tarzan', Classics Illustrated and Frank Hampson's 'Dan Dare', he was educated at Merchant Taylors' School and studied painting at St. Martin Asbury grew up addicted to comics, trawling through newsagents and book shops looking for American comics. He died in December 1998 in Alton, Hampshire. Warne, 1978), The Wild Flower Key by Francis Rose (Penguin, 1981) and Colour Identification Guide to the Grasses, Sedges, Rushes and Ferns of the British Isles and North-Western Europe by Francis Rose (Viking, 1989). Watts, 1976), The Observer's Book of Wild Flowers by Francis Rose (F. Watts, 1974), Ants by Diana Ferguson (Macdonald, 1974), Swimming Mammals by Patricia Gray (F.
Watts, 1973), Slow Creatures by Patricia Gray (F. Watts, 1973), Flying Creatures by Patricia Gray (F. Warne, 1969), Colour Identification Guide to british Butterflies by T. Warne, 1968), Animal Partnerships by Maurice Buxton (F. Warne, 1967), Be a Nature Detective by Maxwell Knight (F. He also illustrated wildlife features for Once Upon a Time and contributed to a number of books, including Let's Look at Forestry by Ivor Lewer (F.
#Taarna the tarakian original art series
Jill Blair was from a long line of castaways, although in this instance she had been travelling to Australia when the ship she was on was wrecked in the Indian Ocean Jill found herself the lone, exhausted survivor on a small island that turns out to be far from deserted.ĭavis continued to contribute to Look and Learn, mostly series like 'Nature's Notebook' and 'Nature's Kingdom', and was with the paper until its end in 1982. Around the same time he began working for the newly launched School Friend, drawing one of their most popular strips, 'Jill Crusoe'. Home-Gall as he illustrated covers for Home-Gall's Panmure Press publications and both of the author's collectable novels featuring The Human Bat. Some of his earliest work is associated with boys' writer Edward R.
It seems likely that he began drawing for boys' or girls' story papers during the war, or perhaps shortly after the war during the period of paper rationing when work was thin on the ground. Born in Wandsworth on 10 December 1907, it seems likely that Davis began his commercial career in around 1930 and it is known that he was represented by Byron Studios prior to the Second World War. Reginald Ben Davis had a lengthy career at Amalgamated Press and Fleetway Publications as one of their top illustrators.
0 kommentar(er)
